The use of color in calligraphy that has long been a familiar and protected Japanese culture has opened up a new world.
At Brush Art Japan, we are making works with the theme of "calligraphy that can heal the mind" in color calligraphy.
To be more specific, we carefully preserve the brushstrokes, calligraphy, and techniques that are the foundation of calligraphy, add an artistic perspective, and use gradations, multicolors, and three-dimensional appearances to establish a unique worldview. doing.
When doing color calligraphy, the first thing I wanted to do was create a beautiful calligraphy.
I learned that color has the power to affect the deep psychology of humans. Blue naturally calms the mind,
There is an image of trust and honesty. The green color represents peace and peace and has a calming effect.
I learned that color has many other effects on humans.
Calligraphy is a once-in-a-lifetime chance. I can't write the same thing again.
In order to write, you must know the meaning of kanji, and calm down and concentrate on writing.
I think there are quite a few people who are not good at calligraphy.
Just by making such calligraphy in color, fun and beautiful art is completed.
It has the advantage of being able to express Japanese spring, summer, autumn and winter, and being able to use many typefaces.
There are also typefaces that express expressions, such as block, line, cursive, slave, and seal.
In brush art, you can select a typeface that is appropriate for expressing the meaning of the kanji, and inflate the image from it and draw it in color.
You may be asking about color calligraphy. You can know the deep psychology of human beings deeply with colors.
You will also be surprised at the quality of the lines and the many things you can do with a brush by pursuing calligraphy deeply. You can also learn how to use the brush in rhythm, open and close the brush, and write slowly.
The calligraphy reflects the mental state of the writer, and by interacting with paper, you can nullify your mind and by concentrating you can meet a new self born from a pure white world.
That's why I can't leave calligraphy.
The meaning of promoting color calligraphy
The reason I continue to work on color calligraphy is to start out with an interest in what would happen if I changed the calligraphy from black ink to gorgeous ones, and I felt that possibility.
At present, there is no chance to hold a brush and the calligraphy population is only decreasing.
By using colors, I can create works that are healed, make gorgeous works, and express expressions I have never seen before.
From such a thing, I gradually became interested in kanji and characters, I wanted to know more about calligraphy brushwork
I came to be interested in craftsmen who make calligraphy brushes, and because of the psychological effect of color, such voices actually came to me from young people Was.
It would be great if you could continue callingigraphy and learn that there is a more playful way of expressing it.
However, brush calligraphy is currently only my work.
I can't say much about the increase in the number of people who are working on color calligraphy, but I'm glad if I have more opportunities to hold a brush on my own, and it is my pleasure.
Since I started color calligraphy in 2010, I have been able to face my self-confidence and have time to heal my heart.
From the old days to the present day, the creator puts multiple colors on a single brush with the colors and images emanating from the meaning of the kanji that are breathing while changing its shape, and the gradation is also given out and three-dimensionally.
You can't rewrite, you can't write the same thing again.
To do so, it is important to imagine and express.
I began to think about how to make colors and the beauty of margins.
There are many possibilities for color calligraphy.
What I'm expressing is only a small part. I hope we can all share and grow together.
That has led to the promotion of color calligraphy.
Seifun Kamata Seisyu-Kamata
Started calligraphy at the age of five. No blank white time focused on copying calligraphy examples
Being fascinated by the borders and silence of Japan, he will continue calligraphy.
The time to concentrate on the spirit of holding a brush, the time to look at yourself, and the image of yourself
By being connected to manifesting, I wake up to seem to love myself.
Believing in the possibility of color calligraphy, which he worked on casually since
he has been searching for something that can be created through serious efforts.
2009.7 Calligraphy class in Osaka Tenjinbashisuji shopping street
2009.8 ～ 2010.1 Worked on tombstone letters at a major tombstone company in Kinki
2010.7 Color calligraphy exhibition held at Yasaka Chaya in Kyoto Yasaka
2012.5 Working on 「the harmony of color and calligraphy」 in Osaka city
2012.8 Brush art exhibition at Bentencho, Osaka
2009.7 Calligraphy class in Osaka Tenjinbashisuji shopping street
2009.8-2010.1 Character production of tombstones at a major Osaka tombstone company
2010.7 Color calligraphy exhibition held at Yasaka Teahouse in Kyoto Yasaka
2012.5 Working on the harmony of color and calligraphy in Osaka city
2012.8 Brush-Art exhibition at Bentencho, Osaka
2017.6 Brush-ArtⅡ held at Osaka Seikado Gallery
2017.6 Participated in “Collaboration Exhibition” at Nakatsu Pierce Gallery in Osaka
2017.10 Group exhibition by Japanese in Milan, Italy
2018.1 Color-Shodo brush art 杭 held at Kuise Gallery in Amagasaki City, Hyogo Prefecture 2018
2018.9 Color calligraphy brush artⅣ at Nakatsu Pierce Gallery, Kita-ku, Osaka
2019.2 Exhibited in Milan, sister city of Osaka city, Cool Japan category
2019.4 Exhibited at Milan Design Week in Italy
2019.5.17 ~ 19 Exhibited `` OASIS2019 '' in Osaka OBP Osaka
2019.6.23 ~ 7.23 OASIS2019 in Paris, France Paris Exhibition at the Farrell Gallery
1986 Sengen Exhibition 2nd Selected
1987 Selected for Mainichi Exhibition, Selected for Sougen Exhibition
1988 Sengen exhibition one course selected, Sogen exhibition two course selected
1989 Sougen Exhibition 1st Prize
1990 Selected for Sougen Exhibition
1991 Selected for Mainichi Exhibition
1992 Selected for Mainichi Exhibition
1993 Selected for Mainichi Exhibition and Selected for Sougen Exhibition
1994 Selected for Mainichi Exhibition ・ Selected for Sougen Exhibition
2019 Milan Genius 2019 Cool Japan Prize
Saisyu Kamata exhibited at UNKNOWN ASIA.
I was nervous at the first exhibition.
Here, Brush-Art-Japan's work "Color-Shodo"
A site that can be purchased is now available.
Overseas people will reply while translating, so it will be late.
Brush Art Japan produces works under the theme of cherry blossoms.
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Please note that it does not correspond to all.
OASIS2019 Osaka&Paris が大阪とフランスのパリでおこなわれました。
OASIS2019 Osaka & Paris was held in Osaka and Paris, France.
Exhibited in brush calligraphy works of brush art in 2019, there are various calligraphy works and painting works, held in Osaka Business Park in Osaka.
It was exhibited at Linda Farrell Gallery in Paris, France.
In Osaka, she created and exhibited a cherry blossom work in Paris and a butterfly kanji in color calligraphy in Paris.
OASIS a été exposé à la galerie Linda Farrell en France et a été présenté dans un dépliant en France, où le papillon Color-Shodo a été exposé.
C'était une calligraphie, mais j'ai entendu dire que les Français étaient aussi beaux dans un style légèrement différent.
Mon futur objectif était d'aller là-bas et de montrer mon travail à l'étranger.
24回目のOASIS2019 Osaka ＆ Paris
The 24th OASIS2019 @ Osaka & Paris
I enjoyed interacting with the calligraphy writers.